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The Whitney grew out of the Whitney Studio Club, begun in 1918 by Gertrude Vanderbilt Whitney, who championed Hopper. Jo jealously felt Gertrude had other designs on Edward, too. He became one of the earliest members, and in 1920, the club gave him one of his first one-man exhibitions. Reviews were underwhelming. But the Whitney made his Early Sunday Morning one of their first purchases. They also sponsored a nighttime studio that the poor bachelor Hopper could attend for free to sketch nude models. (The woman in charge of the classes said Hopper never missed one.) Hopper remained devoted to Gertrude and her museum throughout his life. He said, "I guess they considered me a safe man to deal with."
Chicago writer Kevin Grandfield visited 47 US cities where Edward Hopper paintings hung in public museums and asked people, "Do you feel Americans are isolated as Hopper portrayed us?" What he heard, learned, and experienced fills the pages of this blog. (Hit CTRL + to make the text bigger.) Thanks for visiting! Copyright ©2013 and prior years, Kevin Grandfield. All rights reserved.
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