No one walked into the gallery for a while, so I approached the security guard. He had a long, gaunt face the color of burnished teak, and he answered enthusiastically with a slight accent. "Everybody loves Hopper. I hear people comment. That woman," he whispered conspiratorially, pointing to Woman in the Sun, "was his girlfriend. She lived in Europe. That was why Jo was so jealous. Jo didn't like him to use other women so she posed for him." This is an interesting theory, but by all accounts Jo herself posed for all Hopper's figures.
"When we had the big show of Hoppers, we had like a half a millions [sic] people come here for that. This guy [Hopper], he gets visitors from all over the world. Everybody that comes to New York wants to see Hopper. They got this tourist book comes in different languages, right? And they look at Hoppers in there, and I have to tell 'em, 'what's in the book is not out.' They get very disappointed. They say, 'Boo hoo. Where's the Hoppers? No Hoppers?! Boo hoo.'"
Chicago writer Kevin Grandfield visited 47 US cities where Edward Hopper paintings hung in public museums and asked people, "Do you feel Americans are isolated as Hopper portrayed us?" What he heard, learned, and experienced fills the pages of this blog. (Hit CTRL + to make the text bigger.) Thanks for visiting! Copyright ©2013 and prior years, Kevin Grandfield. All rights reserved.
No comments:
Post a Comment