For a town where "everyone talks," no one seemed to want to answer my question.Soon, an older woman wandered into the gallery. Her legs were blanketed in a tweed skirt, and a green badge pinned to the mud brown vest covering her satiny shirt proclaimed "docent." I asked if people in Indianapolis were as isolated as Hopper characters. She breathlessly demurred, "Oh, I can't say."
"Well," I asked, "as a docent, what would you tell people about these paintings?"
"It looks like a hotel you just wouldn't want to stay in," she despaired. "You have four people, and nobody is paying attention to anyone else. If there were a human touch, it would make all the difference in the world. I find myself avoiding a lot of Hoppers. They make me feel lonely."
"Are there any old hotels like that downtown?" I inquired.
"Not any more. There was one: Forty-ninth and Meridian. I think they made it into apartments." She nodded goodbye, and I headed downtown, hoping to find a Hopperesque hotel lobby of my own.
Chicago writer Kevin Grandfield visited 47 US cities where Edward Hopper paintings hung in public museums and asked people, "Do you feel Americans are isolated as Hopper portrayed us?" What he heard, learned, and experienced fills the pages of this blog. (Hit CTRL + to make the text bigger.) Thanks for visiting! Copyright ©2013 and prior years, Kevin Grandfield. All rights reserved.
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